[Crista Cloutier]

TaLisa, I’m going to chime in here too. I think that Michel’s insightful questions spurred you to think. But I want them to spur you to write!

When I look at your artist statement I see a lot of sentences that start to say something but then go into the next direction. Can you keep playing with it? Can you expand on some of these statements? That right, I’m asking, can you write another, longer, artist’s statement.

And maybe you’ll find that you want to leave some of it out. That’s okay. But right now, I think what Michal was picking up on, is that it feels fractured. You start to reveal something but then you stop and start to reveal something else. We get lots of tastes but nothing to chew on.

[Crista Cloutier]

Michal, I re-read your statement over and over, completely intrigued. I would suggest you move the second sentence to be the first, for impact.

But your second paragraph leaves me wanting more. What did you discover through the remapping of your Metal Head? It’s a fascinating exercise and very brave.