Artists: Are Your Career Choices Guided by Fear or Truth?

Art Pallette
Artists make career choices based on fear when they prioritize perceived security or societal expectations over their intrinsic need to create, often leading to sacrificing their artistic passion for financial stability or other external factors. Conversely, choices made from truth align with their authentic artistic identity and desire to create, even if it involves embracing the entrepreneurial life or finding ways to integrate art with other responsibilities. For years, many artists experience an internal battle between the desire to create and practical considerations. While some choose traditional careers for security, the core issue arises when decisions are driven by fear rather than genuine self-alignment. It's crucial to assess one's comfort with risk, understanding that being an artist is an identity, not solely an occupation, and various paths exist to sustain a creative life.

Frequently Asked Questions

1 Is it possible to be a successful artist while still having a day job?

Yes, the article notes that history is full of successful artists who've had day jobs. Being an artist is defined by who you are, not solely by what you do or if you work away from the easel. You can create your own journey, balancing creative pursuits with other responsibilities.

2 How can I determine if my career choices are driven by fear or genuine truth?

The article suggests that a problem arises when choices are made through fear, not truth, or when you consistently sacrifice your need to create for your need to earn. It encourages asking yourself how comfortable you are with risk, implying self-reflection on your motivations.

3 Do I need to market and sell my art to be considered a true artist?

No, the article states that not all art has to be marketed and sold. It emphasizes that being an artist is about "who you are," not just "what you do," suggesting that your identity as an artist is independent of commercial success.

4 What if I have a strong need for security, making an entrepreneurial art life seem inconceivable?

The article acknowledges that for some, a sense of security is hugely important, and an entrepreneurial art life might be inconceivable. It advises asking yourself how comfortable you are with risk, but also reassures that you can still be an artist even with another job, as being an artist is "who you are."